Poet & Writer
In the realm of good news, Teeth & Teeth made the list of “Best Loved Books in 2018,” according to Headmistress Press. Thank you to everyone who purchased the book. I’m very grateful to Natalie Diaz, who selected it for publication.
Ms. Magazine published a conversation between me and Diane Furtney, another Headmistress Press poet.
My thanks to Catherine Lu for creating a beautiful radio piece about my poetry to close out National Poetry Month at Houston Public Media. You can hear the story here. It’s part of a month-long series about Houston poets called Voices & Visions.
WITS Alliance @ #AWP18 | Booth #812Tampa, Florida |March 7 – 10, 2018
Wednesday, March 7th:
Thursday, March 8th:
with Analicia Sotelo, Dorothea Lasky, Ruben Quesada, Kaveh Akbar, Eve Ewing
Friday, March 9th:
Writers in the Schools (WITS) Alliance invites current and prospective members to attend a general meeting led by Robin Reagler, Executive Director of WITS Houston. We will discuss how to start and/or expand a WITS program in your community, fundraising, strategies for growth, technology in classrooms, and more.
with Jack McBride, Niki Herd, Nicky Beer, Karyna McGlynn, Ramon Isao
with Michele Kotler (Community-Word Project), Martin Rock (Exploratorium), Abby Travis (Milkweed Editions), Thomas Calder (Mountain Xpress), Giuseppe Taurino (University of Houston Creative Writing Program)
Saturday, March 10th:
with Alicia Craven, Kima Jones, Ramiza Koya, Janine Joseph, Desiree Dallagiacomo
with Tina Cane (WITS Rhode Island), Diane Lane (Get Lit), Erin Belieu (Writers Resist), Britt Udesen (LitNet), Nina Ozlu Tunceli (Americans for the Arts)
I’ll do two book signing stints for two new chapbooks at #AWP18 in Tampa. Both will be on Thursday, March 8th, the first day of the conference.
I’ll be signing Dear Red Airplane at the University of Houston booth #1225 at 12 noon. If you’re at the Bookfair, please come thru! It would be great to see/meet you.
Get your copy of Teeth & Teeth and say hi at the Headmistress Press booth #T1932 at the #AWP18 conference in Tampa on Thursday, March 8th, at 2 pm.
A big box of my new chapbook arrived this week. I’m still feeling completely stunned by it. Teeth & Teeth is the winner of the Charlotte Mew Prize, selected by poet Natalie Diaz and published by Headmistress Press. Here’s how Ching-In Chen describes it:
Robin Reagler’s Teeth & Teeth is a wild-mouthed dispatch from the cities of mourning we all inhabit, a desperate love letter to the waiting selves which grow out of exile from normalcy. In the face of the wearing down of the body, despite loss, these poems demand gratitude for the fierce habits of the living. —Ching-In Chen
You can purchase Teeth & Teeth at Headmistress Press or amazon.com.
I’ll be reading poems at Public Poetry on Saturday, January 6, 2018, with Corinna Delgado, Amanda Ortiz, and Miranda Mahoney. Join us at 2 pm at the Jungman Branch (5830 Westheimer Road, Houston, Texas 77057) of the Houston Public Library. FREE
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I’m mesmerized by these swimmer images created by artist Maria Svarbova that are based on old Soviet photographs of swimming pools. A native of Slovakia, Svarbova’s human subjects become mechanisms in rigid composition. I find a cold comfort in her work. For more examples and information, see this post at Colossal by Kate Sierzputowski.
Endangered Harlem by Gaia, photo by Tara Murray[/caption]
This weekend in NYC my friend AQ and I took a slow bus through Harlem. We got to see some of the endangered bird murals sponsored by the Audubon Society. I’d read about the Audubon Mural Project, but it was fun to search for them out the window of the M4.
Here’s a story about the project from the New York Times. For a great set of photos by Tara Murray and Lois Stavsky, check out the Street Art NYC blog. The art is done by well-known grafitti artists such as ATM, Gaia, Hitness, and Iena Cruz. The Audubon Mural Project now depicts over 300 species of birds that are identified as either endangered or climate-threatened by the Audubon Society. On their site you can find a map of some of the murals in Upper Manhattan.
April 1st marks the beginning of National Poetry Month. If you’re crazy enough to try writing a poem a day during April, home base for this dizzying enterprise is NaPoWriMo.Net. They will offer writing prompts and encouragement all month long. Write About Now is leading a 30/30 group on facebook with prompts and feedback loops. Other sources of inspiration include:
As you discover other NaPoWriMo 2017 sites, please share them in the comment section, and I will add them to this list.
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Only recently I found the art work of Michael Cutlip. Am flipping over it. He combines collage with a sense of playground. See his site for much much more.
Although Black Mountain College no longer exists, the Black Mountain College Museum + Art Center continues to celebrate that unique community of artists in Asheville, NC. A current exhibit, Begin to See, features photography by artists who are best known in other media. The list includes: Josef Albers, Hazel Larsen Archer, Josef Breitenbach, Harry Callahan, Trude Guermonprez, Robert Haas, Clemens Kalischer, Barbara Morgan, Beaumont Newhall, Nancy Newhall, Andy Oates, Robert Rauschenberg, Aaron Siskind, Cy Twombly, Stan VanDerBeek, Susan Weil, and Jonathan Williams. If you’re in Asheville this spring, perhaps check out these related events, as well as the exhibition.
The bold colors of artist ELIZABETH GAHAN may take spectators by surprise. Chromatic Crystalization is an installation done in 2013 in Westlake Park, Seattle.
Starting in August 2017, a new exhibit of Gahan’s work will be completed in Auburn, Washington. It will be part of a new public art series called Art on Main.
Gahan has a flare for building with vivid color. Perhaps one could describe her work as the meeting of origami, sculpture, and gigantic hibiscus. For more about the art of Elizabeth Gahan, click here.
Photographer Maureen Drennan was featured in a recent Huffington Post piece on artists repositioning themselves for the upcoming Trump presidency. I was moved by her strength and faith in the power of the artist.
“I believe the role of an artist is more important than ever and ideally should compel and challenge us to think in different ways. Artists can be powerful dissenters and transgressive to political and societal conventions.
Good art often comes from an uncomfortable place. While it can be painful to explore, the creation and consumption of such art can be very therapeutic. In such a divisive time that we live in, the hardest thing we can do is to show compassion to those in opposition to our beliefs.”
Although Drennan’s art does not read as perhaps obviously political, there is an immediacy and an unapologetic honesty that graces her portraits. She explains,
”I feel enormously privileged to be an artist and to have met and photographed such inspiring people. My goal is to deepen my understanding of other people’s experiences and share those stories with a wide audience. Stories and narrative foster empathy and compassion, something that is sorely needed during this contentious time of anti-immigrant rhetoric. My advice to fellow artists is to not be afraid to explore things that are uncomfortable.”
This year Conveyor Arts published a book of Drennan’s work, the sea that surrounds us, and it is currently in its second printing. Find out more about Maureen Drennan on her website.
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A recent article in the Huffington Post asks 21 contemporary artists what it will be like to be practicing during the Trump presidency. Nina Chanel Abney, whose work already boldly addresses issues concerning human rights, police brutality, and Black Lives Matter, sees the upcoming era as demanding more. Much more. In the interview, Abney asserts:
“Artists should not be safe. We are in the unique positions, through our respective mediums, to elicit a response without using violence or direct action. Why not push the boundaries?”
Abney is know for her courageous confrontations of social injustice. She was refered to as one of the “Next Irascibles” by Paper Magazine. Abney’s first solo show, Royal Flush, opens on Feb. 16, 2017, at the Nasher Museum of Art at Duke University.
