book cover, the sea that surrounds us by Maureen Drennan
Photographer Maureen Drennan was featured in a recent Huffington Post piece on artists repositioning themselves for the upcoming Trump presidency. I was moved by her strength and faith in the power of the artist.
“I believe the role of an artist is more important than ever and ideally should compel and challenge us to think in different ways. Artists can be powerful dissenters and transgressive to political and societal conventions.
Good art often comes from an uncomfortable place. While it can be painful to explore, the creation and consumption of such art can be very therapeutic. In such a divisive time that we live in, the hardest thing we can do is to show compassion to those in opposition to our beliefs.”
Although Drennan’s art does not read as perhaps obviously political, there is an immediacy and an unapologetic honesty that graces her portraits. She explains,
”I feel enormously privileged to be an artist and to have met and photographed such inspiring people. My goal is to deepen my understanding of other people’s experiences and share those stories with a wide audience. Stories and narrative foster empathy and compassion, something that is sorely needed during this contentious time of anti-immigrant rhetoric. My advice to fellow artists is to not be afraid to explore things that are uncomfortable.”
A recent article in the Huffington Post asks 21 contemporary artists what it will be like to be practicing during the Trump presidency. Nina Chanel Abney, whose work already boldly addresses issues concerning human rights, police brutality, and Black Lives Matter, sees the upcoming era as demanding more. Much more. In the interview, Abney asserts:
“Artists should not be safe. We are in the unique positions, through our respective mediums, to elicit a response without using violence or direct action. Why not push the boundaries?”
Abney is know for her courageous confrontations of social injustice. She was refered to as one of the “Next Irascibles” by Paper Magazine. Abney’s first solo show, Royal Flush, opens on Feb. 16, 2017, at the Nasher Museum of Art at Duke University.
I love this map from Rebecca Solnit’s new book, Nonstop Metropolis: A New York City Atlas (University of California Press, 2016) which was co-edited by Joshua Jelly-Schapiro. Like so many of life’s most wonderful things, I was made aware of this map by Maria Popova in her blog, Brainpickings. Having read several of Solnit’s books in the past, I’m really looking forward to reading this one, especially since I’ve lived in New York and love it. And of course there’s my love of trains!
If I were still a college professor, I can imagine creating a whole course around this one map. I think it would be the best class ever.
This is the last week for Houstonians to go spelunking in the Yayoi Kusama exhibit at the MFAH. The show features two of her famous Infinity Rooms, Aftermath of Obliteration of Eternity and Love Is Calling. If there’s any doubt about Kusama’s rock star status in the art world, take note of the myriad postings of her social media hashtag, as well as the 24 hour visitation on Saturday. O brave new world! For more on the Houston exhibit, check out Houston Arts & Culture and the MFAH website.
It’s almost April – once again. And time to face the cruelty known as NaPoWriMo. Who wants to try writing a poem a day starting tomorrow? I’m trying to gather some muster myself. Leave me a link if you’re planning to blog your poems.
A new video game called “Elegy for a Dead World” takes the gamer on a journey and the result is poetry. The game, developed by Dejobaan Games and Popcannibal Games uses classic poems by Keats and Shelley. Read more about the poetics of gaming on Harriet.
I love this Huffington Post story about graphic designer Travis Purrington, who wondered: what would our money look like if we dropped the dead white guy theme? Here’s a summary of the project:
As part of a master’s thesis design project at the Basel School of Design in Switzerland, Purrington developed new versions of U.S. currency. He based his designs on his study of other world currencies and America’s currency history.
The resulting bills use imagery from the arts, nature, and science. Specifically Purrington samples the DNA helix, farmland, circuit boards, and the art of Alexander Calder. Beautiful!
With writing by quantum computer scientist Dominic Walliman and designed and illustrations by Ben Newman, this is a wonderful way to make discoveries. Science should be a revelation of wonders, and this book delivers.